Thidambu Nritham (dance with the replica of the deity) is a ritual dance performed in Temples of North Malabar. This is one among many rich art traditions of North Malabar. It is mainly performed by Namboothiris, and rarely other Brahmin communities like Shivalli,Karhade and Havyaka. North Malabar is well renowned for its deep rooted culture and tradition. This northern part of present Kerala State is home for several prominent religious destinations that make it a heaven for several unique religious and ritual art forms including Theyyam. Thidambu Nritham is one such ritual art form.
Thidambu nritham, as the name conveys, is an elegant dance carrying the decorated image of the deity ( thidambu) on the head Thidambu nritham is commonly performed by Namboodhiris upper caste Hindus. This art form is staged both inside and outside the temple.Ten persons are needed for staging this dance. The dance is performed with the decorated deity of the Devi carried on the head. Foot work is most important and this is executed to the rhythms of the drums
The dancer wears a striking costume a skirt of pleated cloth, a silk vest, earrings, bangles, necklaces and a decorated turban called ushnipeetam. The performance unfolds in various stages like Urayal, invoking the deity,Thakiladi adantha, Chembada, Pamchan etc. The dancer is usually accompanied by a group of artistes, five of whom play the percussions and two hold aloft the lamps
This ritual art form is believed to be over 600–700 years old and follows the principles of dance laid down in Natyasasthra the ancient treatise on performing arts compiled by Sage Bharatha in the second century B.C.The origin of Thitambu Nritham cannot be easily traced. Tulu Brahmins who had migrated to the North Malabar during Kolathiri might have introduced this dance from Karnataka where a form of "Nritham" called "Darsana Bali" was in vogue. Replicas are made of bamboo with which a beautiful frame with intricate designs is created. The priestly dancer, clad in the traditional style after performing the usual rituals, comes out of the sanctorum, and standing under the flag, holds aloft the replica weighing about 10 kg on his head and starts the divine dance. Another legend goes like this : A Namboothiri used to sit in meditation under a nux vomica tree [Botanical name : Stricnos nuxvomica; Mal. - "Kaanjiram"]. He had sores all over his body. The fruit that occasionally fell on his body gave him excruciating pain. In agony he cried out a curse : "Let this tree bear no fruit any longer". Even today the tree bears no fruit, though it has leaves. It is interesting that during the festival, the dancing Namboothiri priests place the idols of various gods in a small "Mandapam" under the tree. People pay obeisance to the deities here
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